(wow) Words Of Wonders Level 1531 Answers

(wow) Words Of Wonders Level 1531 Answers – “Always stay close to the Catholic Church, because only the Church can give you true peace, because only she is blessed in communion with Jesus, the true Prince of Peace.” – Padre Pio of Pietralcina

The image of Our Lady of Guadalupe has been the subject of many technical studies since 1751 and has been the subject of extensive scientific research in recent years, and none of the results have offered a reliable scientific explanation that science and all of us have to date. It defies human logic. This is confusing scientists and even skeptics.

(wow) Words Of Wonders Level 1531 Answers

Below are just a few of the conclusions drawn from the scientific investigation of the image and structure by Tulma’s authorized conservators at the basilica, and in each case researchers had direct and unfettered access:

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Juan Diego’s “Talma” (a type of cloth worn by Mexicans) with the miraculous image of Our Lady of Guadalupe is a thick cloth made of threads from the maggi cactus, usually from 20 Lasts up to 30 years, but the fabric is safe. Its structural integrity for nearly 500 years – without a single crack or fading, or showing signs of deterioration. It consists of two pieces of coarse cloth, approximately 1.70 x 1.05 m (69.99 x 41.3 in), held together by a stitch of thread made from the same material as is characteristic of 15th-century cloaks and seams. . The 16th century is called “Ayat”. The seam appears above the middle of the figure, away from the face.

Over the centuries, Talmavasi faced the harshness of all natural elements, unprotected from the infrared and ultraviolet rays of the thousands of surrounding candles and the humid conditions, dusty and salty air around the basilica. The Tilma remained in perfect condition despite the constant touching and kissing of the hands of thousands of pilgrims worshiping the image, and the constant manual handling of the Tilma, involving many different objects, has made it the subject of scientific research countless times. There is also no explanation from scientists as to why talma is resistant to insects and dust.

In 1789, Dr. José Ignacio Bartolache, using the best techniques of the time, painted two copies of the image on the same piece of Maggi cloth and placed them in the same salty and humid environment around the basilica. After a few decades, both copies were broken. Attempts were made to “beautify” Thelma, which also failed: a crown on the Virgin Mary’s head and angels in the clouds were painted. However, unlike Talma, these joints are gone and are no longer visible. For example, the rays of the sun were replaced with gold and the moon with silver, but these ornaments also disappeared. Indeed, the silver-coated moon turned black.

On August 7, 2009, researcher and physiologist Dr. Adolfo Orozco told attendees of the International Guadalupe Marine Congress in Glendale that there is no scientific explanation for the 478-year-old high quality or preservation of Tulma. The perfection of his preservation.

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One of the most peculiar features of the fabric is that the back is thick and coarse, but the front is as soft as the purest silk, as noted by artists and scientists in 1666 and a century later in 1751. I confirmed it. Mexican artist Miguel Cabrera. But to the eye, it suggests a coarse weave of palm threads called “straps” or a coarser fiber called “cotins” or a mixture of hemp and flax: ixtle-agava fiber. In 1946, analysis of the fibers concluded that the fibers came from the agave plant, although researchers could not identify which of the 175 varieties of agave made the loose.

NASA scientists did not explain how this image was captured on Tulma. There are no brush strokes or sketch marks on it. The size of the image increases and the color changes due to some unknown property of the surface and its texture. The colors actually float 3/10 of a millimeter (1/100 of an inch) on the tile surface without touching. When examining an image smaller than 10 inches, only the magician’s outfit can be seen. Colors disappear completely.

In 1936, biochemist Richard Kuhn, a Nobel laureate in chemistry, analyzed a tissue sample and discovered that the pigment used was not from a known source. Natural, animal, mineral or vegetable.

On May 7, 1979, American Dr. Philip Sarna Callahan, a biophysicist and expert in infrared photography at the University of Florida, and Judy B. Smith, a professor of aesthetics and philosophy at Pensacola College who specialized in painting and sculpture. NASA discovered infrared light. The image was captured and scanned under very high resolution. After filtering and processing the digital images to remove and enhance “noise”, they found that the face, hands, clothes and cover were painted in a single step without painting or correcting, and no visible No brush strokes or shaping were used. The surface is smooth, there is no protective varnish covering the image to protect its surface. The color of the image changes slightly depending on the viewing angle, a phenomenon known as “iridescence”, a technique that cannot be reproduced by the human hand. Scientists have found no paint residue or any trace of paint on the image, although the colors retain their luster and luster. How the colors were made or used on the Shroud of Juan Diego is a complete mystery to science. The pink dress, the blue veil, the quality of the pigments used for the face and hands, or the permanence of the colors, or the brilliance of the colors after many centuries, during which they would normally have deteriorated, defy all scientific logic. do The image still retains its original color despite any coating exposure during the first 100 years of exposure.

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The blue-green color of the Virgin’s mantle is unique. It seems to have been rendered in an unusual hue which no artist has yet been able to accurately reproduce. In addition, scholars have argued that it would be incredibly unwise for the artist to choose an Indian tilma to work with, and even more so to paint the central seam of the cloak. And if the Mother of God does not turn even a little to the right, the seam will tear her face. The fact that only one stitch holds the Talma in place is amazingly surprising. The law of gravity does not allow two heavy substances of cloth to hold a loose cotton thread together for more than ten years, less than four hundred and fifty years. Also the thick weave of the talami was used so accurately that it added depth to the image.

According to experts at the Kodak Corporation in Mexico, the image is smooth and looks more like a color image than anything else. The image consistently resisted accurate reproduction by brush or camera.

Those who have scientifically studied the image of the Virgin Mary over the centuries agree that her features are so unique and incomprehensible from a human perspective that the image can only be supernatural:

In the image, the Virgin Mary is four feet eight inches tall from head to foot and is depicted as a young woman between the ages of 18 and 20. The face is “mestiza” – a mixture of Spanish and Indian races due to marriage.

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Callahan and Smith later discovered that Lois maintained a body temperature of 36.6º to 37º (98.6 Fahrenheit), similar to that of a living human.

Obstetrician Carlos Fernández del Castillo examined the image and determined that the anatomical measurements of the Virgin indicated a woman who was pregnant on December 9, the day Jesus was born. It is completely compatible. A stethoscope was placed under the black band around the Virgin’s waist (a sign that she was pregnant) and a heart rhythm of 115 beats per minute was heard, similar to that of a baby in a mother’s womb.

On December 22, 1981, at the Laplace Observatory in Mexico City, Father Mario Rojas and Dr. Juan Hernández Álicas, a physician and amateur astronomer, made an astronomical study of this image and analyzed the alignment of stars seen in our mantle. mrs. He was surprised to discover that the stars clearly and accurately represented the various constellations of the Mexican sky. Even more remarkable is the inverted “star map” on the mantle (the cardinal axis rotated 90 degrees counterclockwise): providing a view of the constellations beyond them as they would appear from Earth. The constellations in the sky of Mexico City that astronomers believe about.

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