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(wow) Words Of Wonders Level 2636 Answers

(wow) Words Of Wonders Level 2636 Answers – Casey Wayne Patterson: [00:00:00] Thank you for joining us for another article from the Research Center Podcast Cafe. Guest hosts Ben Libman and Mitch Therieau join author Percival Everett for this winning episode. Percival Everett, Distinguished Professor of English at the University of Southern California, visited the Center on May 13, 2022 to speak at our conference and cover the transformation into fiction. The conversation was written just before the lecture. Now we are excited to share with you. Hear our warm and silent exchanges as the scholars have a familiar [00:01:00] conversation. Thanks for the tip. Ben Libman: Hello everyone. Welcome to the CSN Podcast. Today we have a special event. My name is Ben Libman. I am going to complete my PhD in English here at Stanford University. Mitch Therieau: I’m Mitch Therieau. I am also a PhD candidate in contemporary thought and literature at Stanford University here and I am happy to be here. Ben Libman: Today we are artists, poets, children’s book writers, critics, painters and many others. He wrote about 30 books that I know of. His name is Percival Everett. Percival, thanks for joining us. Percival Everett: Thank you for inviting me. Ben Libman: Today on a conference call that CSN has. Read more about this interview later today. The theme of that conversation is often against fiction [00:02:00] This change to fiction is, in my opinion, the event narrated that the author wants to impress upon the writer. I see that it is in the form of wanting to fall into a real event, or that the beliefs, ideas, and opinions contained in it fall into the beliefs, ideas, and opinions. He who wrote, whether it is the mouth or the mouth of the writer, is not angry. The first question for you is, what comes to mind when you think of fiction? How does that affect your work or career? Percival Everett: The first thing that comes to mind is the mantra you hear in the movies. It reveals that the public cannot read fiction and make sense of it, and it is based on a true story. They used to sell movies, some people deny. Every story is true. [00:03:00] Another thing is that there is some form of credibility in the matter. Thus, confusing the truth with the truth is dangerous and misleading. And I think the audience was fired. Mitch Therieau: On a similar note, abstraction is a kind of focus in your speech. I would love to hear what you think about this post. I got up. I’m very curious how you understand this terminology, and how you understand its role in your work. That is, there is something in the world that is represented, and you gradually abstract that idea / image until it is known. which would be Another [00:04:00] is the abstract expressionist model that you proposed, which is simply an expression of emotion. Of course, it is not a pure idea, because ideas, like languages, are based on representations of things in the world; The problem I have with both ideas is that they assume something called realism. This occurred to me recently. It seems pretty pedestrian when I think about it. That is, it is not a real representation. Even when we see things in real life, we see them in two dimensions. We can only because we only see the surface and our mind transforms things into three dimensions. This is why 3D in movies can trick the eye and the mind. This, he says, is the privilege of this notion of imitation, which is my interest in abstraction. [00:05:00] Now we begin with abstract thought, abstract expression. . So we do something else. And he does not address the matter. This understanding tells us what the truth looks like. In my work, the parts of my media are representative, so the words, I believe I should be abstract. I can’t say how it will sound. I don’t know if I could know that even if I did. But I keep myself mad. Mitch Therieau: I mean, it’s very interesting how you say it, but it occurs to me, is this a fallacy of thinking, if the reality is such an imitation of realism? Here is the error analysis. But I mean, if you’re a writer or an artist or someone whose job it is to create [00:06:00] representations, you’re working under this illusion, you’re somehow failing to see. this cannot be. Is this delusion in some way messed up by his artistic endeavors? Percival Everett: This is certainly possible. For example, you can transcribe a conversation, a recording, from real life and just turn it into a story or a story Ben Libman: I think I read it. Mitch Therieau: Warhol. Percival Everett: Yes. And of course the work of the fiction theorist is to create the illusion of the authenticity of the words. The word is not true. And if on the contrary, remember. the best dialogue you have read, and we will sit in the bus and walk among ourselves. People around us thought we were crazy. because it is not real. In fact, it only rings true, and only in context. Ben Libman: But is it somehow an [00:07:00] abstraction that you’re asking for that makes this real effort more real? Percival Everett: What shall I do then? Are you wondering whether you should do it or not? Neither do I. I know everything that I think is possible. Ben Libman: So I read about you in another interview. Talk about how you look for the format that makes the most sense when you think about what you want to write. And not all forms work in some way. And I certainly enjoy reading many of your books. For each type, generally accepted, belongs to different stories. Do you think that this problem is an abstraction of the same type of problem, or should we just find a form for it? The question is whether to which Everett Percival I: I wish I could answer. There have certainly been times when I thought I had taken a step towards creating what I wanted, but I took a step back and realized that I had failed. It’s not that it’s not interesting to me… my goal. For it removes a certain thought from the understanding. When I think about my work, it is often my most naturalistic work, but I always put notes. It is the closest thing I can think of to its abstract nature, to say the least. I can’t say why I believe that. I have hydrotherapy. I think it must have appealed to someone. And I tried to attack the fourth wall, he tried to attack that wall, and realized that the wall had just moved back. it was not well done. Ben Libman: It’s not like that outside. Percival Everett: No, this is, well, not a roof. we noticed. Ben Libman: Well, I think it’s exactly those lines, given what you’re capable of.

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