(wow) Words Of Wonders Level 2235 Answers – , was suddenly inundated with 150 copyright claims on his YouTube channel at once from Toei Animation. Mark's channel is basically a series of videos discussing, criticizing, and discussing anime. Toei Animation creates anime, including popular ones
Compared to harsh criticism of how YouTube protects its general public from copyright claims, the real issue here was one of position. Matt is based in Ireland and Toei Animation is based in Japan. Japan has terrible copyright laws when it comes to fair use, but Ireland is governed by fair dealing laws. In other words, Matt's practice was fine in Ireland, where he lives, but not allowed in Japan. Because YouTube is a global site, takedowns have traditionally been global.
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Well, Matt updated the world and mentioned that he was able to restore and clean up his videos, which a YouTube representative worked with directly.
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But soon after, Fitzpatrick revealed in a new video detailing the legal saga that someone “high up on YouTube,” who wished to remain anonymous, contacted him via Discord. Fitzpatrick said the contact not only apologized for not discussing her situation earlier, but revealed a previous dispute between YouTube and Tui regarding the fair use status of her videos. “I'm not going to lie, hearing the voice of someone who was desperate for help and understanding this impossible situation felt like a weight had been lifted off my shoulders,” Fitzpatrick said.
Hey Twitch folks, if you're reading this, here's how it's done. But that's not the whole story. Before the videos were appealed and blocked, Toei asked YouTube to manually take Matt's videos offline. YouTube pressed Tui, asking for more information about their claims, and specifically asking if the company had considered fair use/fair dealing laws in their request. In addition, YouTube also asked Tui to provide more information about what and why Matt's videos were hacked. Instead of complying, Toei used YouTube's automated tools to challenge and block just those 150 videos.
The following week, Toei, the Japanese YouTube team, contacted YouTube's American team to play a game of telephone between Fitzpatrick and himself to reach “some kind of understanding” about his copyright. Toei has finalized a new list of 86,150 original videos the company believes should not remain on YouTube, a move Fitzpatrick described as “confusing” and “inconsistent.” He concludes that Tui has no idea what fair use means or the rules society requires creators to follow. “This list was truly the most random mix of videos I've ever seen,” he said. “Honestly, it looks like someone randomly picked videos like darts with a dartboard.
Although Matt regained control of his videos thanks to working with a YouTube producer, he still faced the threat of legal action from Toi.
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That he will almost certainly lose because of the laws of that country. Fortunately, YouTube has a way to block videos based on copyright claims
To this argument. The Kotaku post linked above suggests that this method is relatively new to YouTube, but it's not. It has been around for a long time, but surprisingly, it never seems to be used specifically when it comes to copyright laws in certain countries.
YouTube's new copyright rule allows owners like Toei to remove videos from Japan's YouTube site, for example, but says videos will remain in other territories as long as they fall under the country's fair use policy. To remove videos from locations with fairer use permissions, companies would have to file their claims under those territories' copyright laws.
So Matt's review videos are still everywhere except Japan. It's not a perfect solution by any means, but it seems like a middle ground that we're likely to be happy with. This circumstance is basically that Toei Animation somehow wants to go to war with a very popular YouTuber, whose content, whatever you want to say, definitely raises the public's interest in Toei products, for better or for worse. This is a YouTuber that the company could have cooperated with in one way or another, but instead is busy burning bridges.
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“As video games have taken over the online realm, I truly believe that a cooperative or symbiotic relationship between online creators and copyright holders is not only more than possible, but probably works very well for both parties if they are open.” This,” Fitzpatrick said.
Last night, at midnight, we reached the end of Games Like It's 1926, our fourth annual public game show celebrating new creations entering the public domain this year. In the end, we received 31 submissions representing a huge variety of different types of digital and analog games!
Over the next two weeks, we'll dig through all the games and pick the winners in our six categories — but there's no need to wait until you play! You can see all entries on itch.io:
At first glance (and after studying some of the early entries) I can already tell it will be difficult to narrow it down to just six winners – there are a lot of games here that do fun and interesting things with works in the public domain. . As in previous years, after we have selected and announced the winners, we will discuss each of them in detail in a podcast and series of posts.
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Until then, a big thank you to everyone who participated this year, and also to everyone who takes some time to play the games and give these designers the attention they deserve!
Somewhere between calls to end encryption and calls to do nothing about the record high crime rate at this time of year, at this time of day, [insert part of country], h -completely local within [insert geofence]. The justice of the law is upheld. While many still harshly criticize the advent of extraordinary encryption, the reality of the situation is that people are generating more data and content than ever before. And most of them are
While some skeptics continue to proclaim that encryption will lead to an apocalypse of criminal activity, others enjoy the continued interactivity of the Internet. Clairview, for example, compiled a database of 10 billion images, doing nothing but crawling the web, capturing everything posted by the public. online world
Want free and connected facial images attached to the 4th Amendment? You need look no further than the Open Network, which has all the features you want and almost no server restrictions. Blackout is for men who don't know how to encourage the public's willingness to share almost anything with the rest of the internet.
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Chicago PD knows who's keeping the internet alive and what side they're on. A Business Insider report (written by Caroline Haskins) highlights an internal CPD presentation that reveals that police have benefited greatly from the growth of social media platforms, easily outweighing the subjective losses that “end-to-end encryption” can create. Recently.
Photos posted on social media have become so valuable to police investigations that Chicago police credited Facebook, “selfie culture” and cell phone “high-definition cameras” with a demonstration of how to use facial recognition technology. “Thank you Facebook!” Read one slide from the document, which Insider obtained through a public records request.
Thanks to Facebook of course. The presentation [PDF] examines the name of the most popular social media platform in the United States — one that has implemented its own facial recognition to identify people who have at least consented to specific photographs by the social network. Hence the “I'm in this picture and I don't like it” meme.
Facebook (now down) had no comment. Chicago PD had no comment. But this requires some explanation. Everything revealed on the Internet is self-evident. Clearview clarified everything that was not written. Facebook's terms of service and privacy policy make it much clearer, but cops can access anything a passenger can't access on the platform.
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In any case, the presentation mentions that facial recognition should be considered one of the investigative tools used by detectives. Even better, it shows that matching faces to social media junk is only a small part of the equation. No officer should assume that a single match means a positive identification of a criminal suspect. Whether this part of the training leads to actual investigation remains to be seen. If the officers believe the matches are positive IDs and act accordingly, it's only a matter of time before the Chicago Police Department gets sued for arresting or sending the wrong person to jail.
A document obtained by Business Insider shows CPD
