(wow) Words Of Wonders Level 1097 Answers – Welcome to the 116th edition of LiteraryVibes amidst the scorching heat of April. Before you are interesting, beautiful poems and engaging stories. Odisha’s famous bilingual poet Mr. By Pradeep Biswal Posted Today Mr. LiteraryVibes regular publisher. One of the most interesting features of today’s highlights is the proposed launch of a series called Literally Speaking by Pradeep Biswal. A very successful new poet from Bangalore Mr. There are also brilliant poems by Sriram Paravastu. In our future publications Mr. Visual and Mr. Let’s expect more such posts from Sriram.
April reminds me of T. S. Eliot’s immortal lines in The Wasteland, “The cruelest month, raising lions from the dead earth, mingled with memory and longing.” But India has no choice between April and May when it comes to sweltering heat and wind-blown dust. Different parts of the country have ways of coping with the horror of the hot summer. The part I’m currently visiting: Raipur, the capital of Chhatisgarh in central India – hot air, locally called Loo, with a wet towel on the head and lots of cool mango panna (a sherbet made from raw mango and sugar) in the stomach If one experiences a bout of the dreaded wind and gets a high fever; Green mango peel is applied to the feet and palms to reduce body heat. Lassi is a universal soothing drink across India during summer and Raipur is no exception. A kind of satisfaction for the stomach;
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Raipur is a beautiful city, especially its new, modern part. Five-star hotels have sprung up everywhere, testifying to its prosperity. Vast territories require investment and infrastructure development. About twenty years ago MP UP Of the three states of UP and Bihar, Chhatisgarh saw the highest development and brought unprecedented happiness to its residents. People are simple and loving and deserve the best the government can give them. Here I wish them God’s speed in their endeavours.
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Last week, the bride’s family and the groom’s family met their relatives, music, music, dance, dance, Moo Htoo Last week I had the unique privilege of attending an exciting “destination wedding” for the first time. Every wedding plan. From the panda to the telegraph event, the hotel will take care of the service and change it for a hefty fee. However, both parties are spared from ordinary weddings.
The wedding was held in Orchha, a popular tourist destination for the Ram temple. Fortunately, our friend Dr. Ajay Upadhyay of LiteraryVibes has written a beautiful travelogue about Orchha, which was published in March 2019 for the fifth time. After reading the article as a guide, I found my luck and the place exceeded my expectations. Orchha, like many historical places, is immortal. Its temples, memorial palaces, even 15 mausoleums built for kings fill the mind with amazing legends and anecdotes.
The highly revered Ram Raja Temple reflects how Lord Rama came to Orchha to be enthroned as a king, the only place where he ruled as a king. According to legend, Queen Ganeshkunwari was a devotee of Rama, an ardent worshiper of Lord Krishna, along with her husband King Mudhukar Shah Ju Dev (1554-1592). He was exiled to Ayutthaya and could only return if he could bring his master to Orcha. After twenty-seven days of severe punishment, after jumping into the raging Sage River, he agreed to go only on the condition that the Lord would appear to him as a child and be named King of Orcha. As a child, the queen walked with her lord to Orchha. He arrived late at night and decided to place the idol in the palace and take the Lord to the newly built Chaturbhuj temple nearby. When he woke up in the morning, the Lord wanted to stay in the palace, which had been converted into a temple. Since 1575, the Lord has ruled there as king and salutes the weapon four times a day. Other dignitaries, not even the President of India, are not allowed to fire a gun at Orchha. Today, it is believed that Lord Ram spends the day in Ayodhya but returns to Orchha to rest at night.
The magnificent Jehangir Palace is another monument steeped in the beauty of history and legends. Constructed of precious stones and exotic marble, it was built for the overnight stay of the Moghul emperor. King Bir Pratap gifted the palace in a moment of royal grandeur to his friend the emperor, who died later that year. The gift was paid to his son Shahjahan, who never came to Orchha. When the palace was given as a gift, the king never thought of using the palace. Thus, the magnificent palace, built between 1601 and 1627 at a cost of two million rupees, remained a miracle overnight.
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Equally fascinating is the story of Raja Nartaki Praveen, a poet and royal prince whose legendary beauty was unmatched at the time. The Moghul Emperor Akbar invited her to Delhi and ordered her to stay in his palace because of her beauty. He was immediately drawn to his creation as a folk tale.
Knowing that the suitor belonged to King Indrajatha, Emperor Akbar sent her back to Orchha with all royal honours. The beauty of poetry and art is still here today. Next to the palace is a cute little palace for the extraordinary poet and Lymon.
Well, rumours, the wonderful world of folk tales and legends. Their appeal is truly irresistible. We left Orchha with sweet memories that will stay with us forever.
Dear readers, we hope you are satisfied with the prices in this issue. Share the contact with your friends through the links https://www./article/newsview/433 (poems, short stories and anecdotes) and http://www./article/newsview/432 (Young Magic).
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Please be careful here, be safe Smile. We will meet again on May 27th at the 117th LiteraryVibes.
Poet/story writer/translator/literary critic based in Mumbai, India. Publishers – Rupa & Co. and Allied Publishers Pvt Ltd published his three volumes of poetry, VIGIL (1993), LIPS OF A CANYON (2000) and LITMUS (2005). Rupa & Co, publishers of his poems. Virgin Publications; Penguin Books Adhayan Publishers and Distributors, Panchabati Publications, Authorspress, Poetrywala Prakriti Foundation; Hidden Book Press, Penguin Ananda Sahitya Akademi etc. in the period from 1993 to 2020. Received awards: Vineet Gupta Memorial Poetry Award, JIWE Poetry Prize. former Chairman Poetry Circle (Bombay); Former editor of POIESIS, the poetry magazine of the Society of Poets. He edited a book of short stories by a famous Odia writer in English – FROM THE MASTER’S LOOM, FAKIRMOHAN SENAPATI’S OLD TIME STORIES. He published a lot in literary magazines. Recently Kavya Bharati; Literary vibes in our Poetry Archive (OPA) and Spillwords.
Sir Hara Prasad Dasis is one of the greatest poets in Odia literature. He is also an essayist and columnist. Mr. Das has 12 poems; four pieces of prose; There are 3 translations and a fiction book. He is a retired civil servant and worked as an expert in various UN organizations.
He won the Kalinga Literary Award (2017); Moortidevi Award (2013); Gangadhar Meher Award (2008); He is the recipient of many awards and recognitions including Kendra Sahitya Akademi Award (1999) and Sarala Award (2008).
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Dilip Mohapatra, a decorated naval veteran from Pune, India, is an acclaimed poet and writer in contemporary English. His poems appear regularly in many literary magazines and anthologies around the world. He has six poetry collections; He has two factual novels and a collection of short stories to his credit. He is a regular contributor to Literary Vibes. For his outstanding work, he was awarded the prestigious Naji Naman Literary Prizes for 2020. The society also awarded him the honorary title of “Maison Naman pour la Culture”. You can visit his website at dilipmohapatra.com.
V tanka, a thought, usually at the end of a poem. There is often a “voltaic” change in mood or image.
. He is the award-winning author of two collections of poetry, Shored Fragments and Drawing Flame. His work has been well reviewed in The Journal of the Poetry Society (India) and other major literary periodicals. His latest publication is a collection of short stories called Wine, Woman and Mistakes. All thirty-three stories in this collection were written and first appeared in Literary Vibes.
*This poem is from Bibhu Padhi’s latest book.
