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Featuring 208 of Motown’s greatest hits on 11 CDs and a digital compilation. Demonstrate the universal cultural significance of America’s iconic trademark;
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Including US and international chart hits: The Top Four’s “I Can’t Help Myself,” Marvin Gaye’s “What’s Happening,” The Jackson 5’s “ABC,” Martha and the Vandella’s “Dancing in the Streets,” Please. Mr. Postman’s “The Marvelettes”, Diana Ross’s “The Mountain Is Not Enough”, Smokey Robinson’s “I’m Second Feeling” and The Miracles, The Supremes’ “Where Our Love Loved”, “Temptations” “No”, Stevie Wonder’s “Too Proud” and “Signed, Sealed, Delivered” by Antiology (I’m yours)” collected in an anthology.
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“My God, I learned to play bass from Motown! I learned to play different roots on different chords,” Brian Wilson told me in a 2007 interview.
Includes: 10 bonus tracks on the first 10 discs – all of Motown’s hits, from David Bowie and Mick Jagger’s “Dancing in the Street” to Martha and the Vandellas, have been covered by other # artists. Cooley L.W. Stevie Wonder’s original “Paradise of Fun” for his hit song “Gangsta Paradise”. Packed with Motown No. 11 new discs have been added, including six additional copies. 1, including two that didn’t make it onto the series’ first release and a recent chart-topping Diana Ross remix.
Located in a stunning replica of Motown’s US headquarters in Hitsville. initial Detroit, Michigan (now the Motown Museum), the series also includes an exclusive 100-page book with vintage and rare photographs, music details and an introduction by Smokey Robinson, who recorded 20 Motown No. was responsible for Both with the group “Miracles” and as a solo artist. “
On April 13, the LBJ Presidential Library in Austin, Texas opened a new exhibit, “Motown: The Sound of Young America.” Organized by the Grammy Museum, the exhibition traces the evolution of the label by focusing on legendary artists and musical achievements, and explores how Motown’s sound influenced a number of artists. One of the most important musicians in pop music today.
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Many of the exhibits in this exhibition are being seen for the first time in a museum setting.
These new musical temptations travel from the streets of Detroit to the Rock and Roll Hall of Fame.
With their unmistakable dance moves and harmonies, the outfit soared to the top of the charts, producing an incredible 42 top ten hits, 14 of which were number one. This tale of brotherhood, family, loyalty and betrayal is set to the rhythm of the band’s biggest hits, including “My Girl,” “In My Vision,” “Get Ready,” “Papa Was a Rolling Stone” and more. . .
After breaking records at the Berkeley Rep, the Kennedy Centre, CTG’s Ahmanson Theater and the Princess of Wales Theater in Toronto,
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For nearly 60 years, the Temptations have reigned as one of the world’s most beloved and successful pop groups, and in 2017 were named the number one R&B artist of all time by Billboard.
“I’ve probably cut three more Smokey Robinson tracks in my career. He’s special,” Cooper said in a 2010 interview.
“One of my favorite things was calling Dylan one day and saying, ‘Hey… What are you doing?’ “I was eating a piece of toast and listening to Smokey Robinson…” So it makes perfect sense.
Since the mid-1960s, I’ve been in the Motown Revue in Los Angeles and Hollywood and danced on several musical television shows, when Motown performances were booked by the host. Sam Riddle.
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My brother Kenny and I attended KHJ’s Second Annual Appreciation Concert at the Hollywood Bowl on April 29, 1967 for the United Negro University Foundation and the UCLA School of Music led by Buffalo Springfield, The Seeds, Brenda Holloway, Johnny Rivers and The Supremes. and the fifth dimension.
At the ABC-TV studios on Prospect Ave. They sang live on “My Girl”, a pre-recorded track. They were dressed in powder blue before me.
In February 1976, I interviewed David Ruffin, a Hollywood temptress.
“The temptations are people playing together,” Ruffin told me. “I didn’t regret any of the songs I did, even the choreography on stage was moved. I love the dance part of this band. Then you can’t just sit there and sing. The audience is moving and you’re just thinking about what’s going on. If anything, I want to be remembered for my connection to Temptation. , because I gave something. We helped young artists find a place.”
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Ruffin later revealed to me that even when “My Girl” was a chart success 10 years ago, he and the Temptations experienced restaurant incidents while on tour, many of which were sometimes shocking.
“I went through several boards. Some cats had to get us food because the restaurant didn’t serve us, especially in the South. Things are a lot better these days, but I remember the days when I was driving my Cadillac with a group, and the police didn’t like black people with money or fame, and I got kicked out of town. They didn’t let me stay up even one night.
“I visited my mother once. I stopped outside and the officer said, “You can’t stop here.” I know why he won’t let me stay with my mother.
“Nevertheless, musicians came to our concerts, and then various children. I called and sang on the bus between shows, which was fun. “
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In a 2009 interview with Bobby, he fondly mentioned David performing with Temptations at Sunset’s The Trip nightclub. Ruffin’s role in Hollywood in 1966 as well as his own musical journey.
“David Ruffin from The Temptations and I were really close years ago when we were teenagers singing gospel, and they did this big talent show in Detroit with the lead singers and the Womack Brothers. And David was playing with Ollie and the Sandwiches from Memphis. He was only 13. But he’s got a lot of charm. When he came on the stage … 30 years later we were talking about it, ‘Man, you took that trophy away from me.’
“I’ll go to Ruffin. In short, he becomes Temptation, and Temptation becomes David Ruffin. He always looked at me that way, but added, “These people don’t understand our relationship. They don’t know how long we’ve known each other. ‘ Then I became friends with all of them. “
“David rocked the whole thing at Journey Nightclub in Hollywood, and he was a guy who, if I said, ‘I’m going to learn something. What is that?'”
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Their legendary 1966 tour also featured music producer and artist manager Danny Bruce, who played drums with Frank Zappa in 1965 and ’66, Mothers of Invention.
“The Rising Sons opened with Taj Mahal,” Bruce recalls. “There was a pause, and then David Ruffin came out of the crowd to take his place with the band, which had a hydra head microphone stand and four or five microphones.
“The next song is a song that doesn’t lead to the second verse. “She’s growing up” or maybe “You’re everything to me.” Ruffin spins and grabs the microphone and sings, all in one motion. The women screamed! The group rose to it and really showed their strength in participation and performance skills.
“Temptations drive the masters of the ceremony. Now he has a microphone and is “preaching the love that David showed, a few hours ago he was so sick he couldn’t eat.” But his love for his brothers and the audience who like him can offend anyone here! Ladies and gentlemen, show this guy some love with a round of applause! “
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I interviewed Bobby Rogers, a member of The Incredibles since its formation in 1958, when he was joined by his sister Claudette, Ronnie White, Pete Moore and William Smokey Robinson.
On February 19, 1940, in a hospital in Detroit, Rogers, who shares the same birthday as Smokey Robinson, wrote several compositions with Robinson: “How You Do What You Do” for Temptations “First I Forget- te la Gap” was cut by Contours and Wonders “Going to Go”.
“The Miracles have always been a solo oriented band. Smoke writes for the band and others. Smoke never got a chance to realize the concept. It has to be the best thing that ever happened to music
LP? He was always in Marvin’s kit. Marvin took a break and really looked at what was going on. Society exists
